Singin’ in the Rain(1952)

Metro-Goldwyn-Mayer (MGM)

1h 43m

Release Date: Mar 27, 1952 | Limited

86%
71%
8.3

A silent film star falls for a chorus girl just as he and his delusionally jealous screen partner are trying to make the difficult transition to talking pictures in 1920s Hollywood.

Releases

Original Release | Mar 27, 1952

2002 Re-release (Warner Bros.) | Nov 8, 2002

2012 Re-release (Warner Bros.) | Jul 12, 2012

2013 Re-release (Warner Bros.) | Apr 4, 2013

View Advanced Data

Box Office Results

Updated as of Mar 27, 2026 07:07 PM ET

All Releases (4)
Total US & Canada:
$1,884,537
Total International
$190,921
Total Worldwide:
$2,106,572

No Data Available

Current Showtimes

orround

Tue Aug 11
Wed Aug 12
Thu Aug 13
Fri Aug 14
Sat Aug 15
Sun Aug 16
Mon Aug 17

Director & Top Cast

Stanley Donen
Director

Gene Kelly
Director

Gene Kelly
Don Lockwood

Donald O’Connor
Cosmo Brown

Debbie Reynolds
Kathy Selden

Jean Hagen
Lina Lamont

Millard Mitchell

R.F. Simpson

Cyd Charisse

Dancer

Douglas Fowley

Roscoe Dexter

Rita Moreno

Zelda Zanders

Dorothy Abbott

Chorus Girl

Dawn Addams

Teresa - a Lady-in-Waiting

John Albright

Call Boy

Shirlee Allard

Chorus Girl

Bebe Allen

Chorus Girl

Sue Allen

Chorus Girl

John Angelo

Dancer

Marie Ardell

Chorus Girl

Technical Specifications

Sound Mix: Dolby Digital

Aspect Ratio: 1.37 : 1

Other Details

Country of Origin: United States

Language: English

Summaries

Plot Summary

In 1927, Don Lockwood (Gene Kelly) is a popular silent film star with humble roots as a singer, dancer and stunt man. Don barely tolerates his vapid, shallow leading lady, Lina Lamont (Jean Hagen), who has convinced herself that the fake romance their studio concocted and publicized is real. During a film premiere, gossip columnist Dora Bailey (Madge Blake) interviews Don and Lina about their romance. Since Lina has such an awful and silly squeakily voice, Don will not let her open her mouth lest her fans hear her. Don tells Dora that during his rise to the top he had a motto: Dignity... always dignity."In a series of flashbacks, it's shown that Don and his show biz partner Cosmo Brown (Donald O'Connor) used to sing and dance in burlesque houses. Then they came to Hollywood, California in the early 1920s where they worked as stuntmen in Lina Lamont's silent pictures. When Don approached her, she snubbed him. But Don was such an impressive performer that producers agreed to give him a chase to star in films with Lina. Then Lina tried to sweeten up to Don, but he told her that they would only be romantically involved in the newspapers to sell movie tickets. In real life, he wanted nothing to do with her. Don and Lina soon became the biggest romantic leads of the silent era. The newest Lockwood-Lamont film is a hit.One day, to escape from overenthusiastic fans, Don jumps into a passing car driven by Kathy Selden (Debbie Reynolds). She drops him off, but not before claiming to be a stage actress and sneering at his undignified accomplishments as a cinema actor. Later, at a party, the head of Don's studio, R.F. Simpson (Millard Mitchell), shows a short demonstration of a talking picture, but his guests are unimpressed. Don runs into Kathy again at the party. To his amusement and her embarrassment, he discovers that Kathy is only a chorus girl, part of the entertainment. Furious, she throws a pie at him, only to hit Lina right in the face. Later, Don makes up with Kathy and they begin falling in love.After the first talking picture, The Jazz Singer, proves to be a smash hit, R.F. decides he has no choice but to convert the new Lockwood and Lamont film, The Dueling Cavalier, into a talkie. The production is beset with difficulties (most, if not all, taken from real life), by far the worst being Lina's comically grating voice. A test screening is a disaster. In one scene, for instance, Don repeats "I love you" to Lina over and over, to the audience's derisive laughter (a reference to a scene by John Gilbert in his first talkie).Cosmo Brown comes up with the idea to overdub Lina's voice with Kathy's and they persuade R.F. to turn The Dueling Cavalier into a musical called The Dancing Cavalier. When Lina finds out that Kathy is dubbing her voice, she is furious and does everything possible to sabotage the romance between Don and Kathy. She is even more irate when she discovers that Kathy will receive screen credit and a big publicity campaign, so she blackmails R.F. into withholding credit, and, later, demands that Kathy (a contract player) continue to do so in the future.The premiere of The Dueling Cavalier is a tremendous success. When the audience clamors for Lina to sing live, Don, Cosmo and R.F. improvise and get Lina to lip-synch while Kathy sings into a second microphone while hidden behind the curtain. Unbeknownst to Lina, as she starts "singing", Don, Cosmo and R.F. gleefully open the curtain behind her, revealing the deception Lina flees in embarrassment. When Kathy tries to run away as well, Don has her stopped and introduces the audience to "the real star of the film".Dan and Kathy start singing a love song. Final cue of they both kissing in front of a huge billboard advertising the film "Singin' in the Rain" with Don Lockwood and Kathy Selden.

Storyline

1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until The Jazz Singer (1927) becomes a bona fide hit which results in all the movie theaters installing sound equipment that R.F. knows Monumental, most specifically in the form of Don and Lina, have to jump on the talking picture bandwagon, despite no one at the studio knowing anything about the technology. Musician Cosmo Brown, Don's best friend, gets hired as Monumental's ideas man and musical director. And by this time, Don has secretly started dating Kathy Selden, a chorus girl who is trying to make it big in pictures herself. Don and Kathy's relationship is despite their less than friendly initial meeting. Cosmo and Kathy help Don, who had worked his way up through the movie ranks to stardom, try make the leap to talking picture stardom, with Kathy following along the way. However, they have to overcome the technological issues. But the bigger problem is Lina, who will do anything to ensure she also makes the successful leap into talking pictures, despite her own inabilities and at anyone and everyone else's expense if they get in her way, especially Kathy as Don's off screen girlfriend and possibly his new talking picture leading lady. — Huggo Taking place during the rise of the "talkies", we meet Don Lockwood and Lina Lamont who have risen to stardom during the silent-film era of Hollywood. Beautiful, charismatic and influential, the two combine to make a great on-screen pair. The introduction of talking pictures poses a threat to the powerful duo, however, when it is discovered by audiences that Lina has an excruciatingly shrill voice. Enter young studio singer Kathy Selden, a woman who lacks the stardom of Ms. Lamont but possesses the beautiful voice of which Lina is in dire need. Can Don and Lina find a solution to Lina's laughably annoying voice to salvage their careers? — Kyle Perez A middle-aged male filmmaker and his working partner do everything to come up with a new film. They struggle to find a new idea. They meet an actress who could help them. The three of them team up to create a new film that everyone will like. — RECB3 Set during Hollywood's transition from silent films to talkies, the film follows actor Don Lockwood, who struggles with adapting to sound while falling for aspiring actress Kathy Selden. Musical numbers, comedic mishaps, and romantic developments drive the story. The film blends comedy, romance, and musical spectacle, exploring love, ambition, adaptation to change, and the magic of cinema. — chera_khalid 2 more See all

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